Amina Hocine (b. 1991) is a Swedish composer and sound artist based in Stockholm. With a masters electroacoustic composition from the Royal College of Music in Stockholm, her work unfolds in the space between resonance and silence, exploring the tactile and perceptual dimensions of sound. She often composes for site-specific environments, custom-built instruments, and electronic media, often working with organ-based systems and modular synthesis to shape intricate, slowly shifting sonic textures.

Deeply influenced by spiritual science and deep listening, she approaches sound as a material in transformation—an unfolding presence rather than a fixed structure. Their performances, often centered around the Mistlursorgel and other self-built instruments, invite immersion in sustained tones and resonant bodies. Viewing instruments as extensions of composition, they develop each as a singular piece, where physical form and sound are inseparable.

Her work has been presented extensively at festivals and venues across Europe, continuously evolving at the intersection of intuition, technology, and the ephemeral nature of sound.