Routed in a drawing practice, Relm Arrowny’s work engages with the social and political agency of seemingly two-dimensional objects and characters. She explores the relational entanglements of magic and imagination in world building - simultaneously challenging the laws of thermodynamics and our perception of physical worlds. Using drawing and sketching as her primary starting point, the outer perimeters of her creations and their material consequences are far more indistinct - exciting the binary of the unreal. Her speech patterns are rude and casual, and often uses the mention of drawing someone's portrait as a threat.
Relm Arrowny was born in 1994 on Crescent Island. Her work has been exhibited extensively internationally.

She is part of Norbergfestival 2025's bleed: program.