algovoice is a concert program taking place at Norbergfestival - and previously in May at Fylkingen in Stockholm and Inkonst in Malmö - exploring the intersection between voice and algorithmic composition in the context of contemporary experimental electronic music.

For algovoice eight Swedish and international artists are brought together and will present works created with the help of AI and machine learning or through innovative use of classical voice and singing techniques.

The voice is probably the oldest form of human musical expression while algorithmic computer composition is the latest. In the meeting between these two ways of creating music, questions about how biology and low-tech relate to the artificial and high-tech are reflected. In contemporary electronic music, voice has become an increasingly common expression, a means of adding personal colour and humanity to an increasingly automated and laptop-based production flow. At the same time, it has also become more common for artists to rely on automated workflows by creating algorithms and artificial agents that can be unleashed creatively. Here the use of algorithmic programming techniques instead becomes liberating and a means of challenging the prevailing hierarchical norms in how the composer’s role in the creative process is viewed. How we respond to the tension between flesh and silicone is essential to our future – what kind of cyborgs do we want to become?

algovoice at Norbergfestival presents Charmaine Lee, Daniel M Karlsson, Feronia Wennborg & Martyna Basta.

algovoice is presented with support from the Swedish Arts Council and in collaboration with Fylkingen - New Music and Intermedia Art.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

At Norbergfestival 2024 Øresund Shitshow will be Araknyl, asta fugazi, DJ Ibon, HYPERFORCE, Matriark, My Gander, Mögela, OMNISELF & rut fessler.

Elektronmusikstudion, usually abbreviated as EMS, is the national centre for Swedish electroacoustic music and sound-art. EMS mission is to provide studios to professional composers and sound artists in the field of electroacoustic music and sound art for production, development work and educational activities. In addition to providing studios EMS' aim is to support artistic development of electroacoustic music and its integration within other artistic areas. EMS represents electroacoustic music from Sweden in various international contexts, gives regular evening courses on the subject, and runs an extensive international guest composer program hosting up to eighty visiting artists and composers per year.

Founded in 1964, originally as a part of the Swedish Radio, EMS is now celebrating its sixtieth year of operation with a large exhibition on the history of the studio and electroacoustic music in Sweden at the Museum of Performing Arts in Stockholm.

The collaboration between EMS and Norbergfestival goes back almost 20 years and has included a long-running series of off-site performances at Risbergs Verkstad in collaboration with Region Västmanland, commissioned pieces produced in residency at EMS and performed in Mimer as well as sound installations and multichannel presentations.

For this year’s anniversary edition of Norbergfestival EMS is proud to present three performers with three distinctly personal approaches to compositions and the live performance of electronic music: Marta Forsberg, Lars Åkerlund and Egil Kalman.

Agnese Menguzzato is an Italian composer and musician based in Berlin. Trained in both violin and the Renaissance lute, she then studied sound engineering in Napoli.

Drawing on historical and contemporary technologies, Menguzzato’s practice intertwines past and current techniques to explore the sonic prospects of the present, often employing the auditory potential of the lute. Her musical expression is deeply rooted in her childhood imagery and in confrontation with nature, from which every human sentiment flows. Having lived between Trentino Alps and Emilia-Romagna Apennines, she’s driven towards the construction of emotive soundscapes gathered from the material and digital worlds.

Menguzzato recently released her first solo EP Scusa via Berlin imprint Verlag, presented as ‘an ode to gentleness’. She has collaborated and performed with musicians such as Sara Persico, FRANKIE, and Soho Rezanejad, and was featured on the latest compilation of the Berlin record and art label Unguarded.

Aprapat is a Finnish harsh noise unit that is best known for its detailed metal junk noise and analog tape manipulation, with multiple highly praised releases for various labels around the globe. His live set stretches from full-on harsh blasting to more somber soundscapes, showcasing both true craftsmanship and a sense of drama.

Aprapat is a project by Vilho Koivisto, who is also part of the joyful harsh noise duo The New Boyfriends. Besides making noise, Koivisto runs the label Satatuhatta.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Immersed in the vibrant electronic music scene of Malmö, Araknyl embarked on his journey as an artist in 2018. Inspired by the energy of psychedelic dance floors and fueled by a desire to channel his emotions into sonic landscapes, Araknyl quickly found his niche in the realm of electronic dance music. A somewhat naive yet focused production and DJ style that to this day continues to haunt soundsystems across the globe.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

asta fugazi represents all things off: off-kilter, off grid, and totally off the hook. With a background in contemporary dance and years of carpentry experience asta provides playfully crafted pounding and pulsating tribal rhythms that melt minds and bend bodies all kinds of ways. One foot in rowdy free parties out in the bush, another in dirty clubs, one arm in the calm countryside.

Rarely doing anything by the book, her DIY approach shines through in all aspects of her creative output. It doesn’t have to be complicated, but free.

Originally from Paju South Korea, bela (they/them) is a musician and a performance artist based in Berlin. They are known for electronic music performance merging pungmul - a Korean folk act rooted in agricultural traditions and linked to past social movements - and vocals inspired by extreme metal. bela shapes pungmul into the ritual for queer rage and grief with sub-heavy distortions and cries.

Since moving to Berlin in the autumn of 2022, bela has been announced as a participant of SHAPE+ Platform 23'-24'. They have presented their work across different stages in Europe including Berghain, Trauma Bar und Kino, Schauspielhaus Zürich, Cafe OTO, A4 Bratislava among many others. They have performed in experimental music festivals CTM Festival(DE), Ephemera(PL), Unsound Kraków(PL), and Rewire Festival(NL). They also participated in European art festivals transmediale(DE) and EVA International(IE). bela is a co-runner of Sorrow Club: a mixed event series spanning from music to non-music.

Boj Lucki has been part of the Swedish Jungle & DnB scene for two decades, touring his dubwise sound in over 25 countries. He is part of production trio Mir Crew, DJ:ing and running nights in Stockholm such as Club Rekyl (Recoil), Special Order & Bukva Nights.

In 2021 Boj Lucki founded the Stockholm & Belgrade-based label Bukva Sound with the mission to unify the Swedish, Scandinavian Jungle/Breakbeat producers with the UK and world scene.

Charmaine Lee (b. 1991) is a New York-based vocalist from Sydney, Australia. Her music is predominantly improvised, favoring a uniquely personal approach to vocal expression concerned with spontaneity, playfulness, and risk-taking. Beyond extended vocal technique, Lee uses amplification, feedback, and microphones to augment and distort the voice.

Lee has performed across a wide range of contexts, including the Lincoln Center, the Kitchen, MoMA, and various basements around the US. She maintains ongoing collaborations with Ikue Mori, Conrad Tao, Aki Onda, and Eric Wubbels and has run a record label, Kǒu (口) Records, since 2023. As a composer, Lee has been commissioned by leading new music and commercial enterprises such as HBO Max, International Contemporary Ensemble, the Wet Ink Ensemble, and Spektral Quartet.

Charmaine Lee is presented as part our algovoice concert programme - exploring the intersection of the voice and algorithmic composition, in the context of contemporary experimental electronic music. algovoice is presented with support from the Swedish Arts Council and in collaboration with Fylkingen.

Daniel M Karlsson is a composer focused primarily on texture and timbre. He works extensively with algorithmic composition. He is a Marxist transhumanist singularitarian meaning his biggest short-term goal is Economic Democracy for everyone. A simpler wording would be “everything for everyone”. Practical breakdown includes, but is not limited to: Free access to food, housing, clothing, education, transportation and computation. He is entirely anti-capitalist and regards any and all speculation as fundamentally unacceptable. His biggest long-term goal is a fun times fully automated luxury space communism with optional mind uploading for all.

Daniel M Karlsson is presented as part our algovoice concert programme - exploring the intersection of the voice and algorithmic composition, in the context of contemporary experimental electronic music. algovoice is presented with support from the Swedish Arts Council and in collaboration with Fylkingen.

Dead Man's Chest is Bristol-based producer, DJ, and visual artist Alex Eveson's outlet for exploring the deeper side of Jungle and Drum'n'Bass. 

His acclaimed releases for labels like Ingredients Records, Rupture, Sneaker Social Club and his own Western Lore, helped confirm his status as one of the leaders of the Jungle and Hardcore revival of the 2010s and 2020s.

The Spanish-born producer, aka Dip Shim, relocated to Malmö some years back and found his calling in the reincarnation of electro through his relentless output of acid-flavored 303 jams.

Besides establishing the Malmø Traxx label, he also previously ran the city’s foremost record shop for electronic dance music. As a producer he resealed several records with different alias as Digge Shim. He released with labels as Gated Recordings, SNC Recs. He takes equal inspiration from the Dutch West Coast, Detroit and from the rawness of his native Spanish scene.

DJ DIAMOND is part of the Viennese underground club scene – be it behind the decks or as an organizer with her collective Fast & Nice. Her energetic, high-on-dopanie sets are informed by the hardcore continuum, fusing oldschool gabber tracks with Hardcore anthems and Neo-Trance gems.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Growing up in between forest, internet and long eyed neighbours DJ Ibon’s sound reflects the tragically beautiful and gloomy reality we live in. Besides whispering the magical language of music, Ibon is trying to manage Kengu and BunkerBauer Records and aiming to finish recent projects.

Gaspard Emma Hers also known as Dj Würm is a young multidisciplinary artist from Brussels. Their work delves into the dissociative state between multiple realities and multiple identities. Using various aliases and media, combining the imaginary and the grotesque, their work draws on popular references tinged with magic.

They are taking great inspiration from chamber black metal, swampy rave sounds, and crappy horror movies. Somewhere between fiction, archive, and diary, their work explores the role of the fantastic in everyday life.

Egil Kalman interprets traditional folk music from Norway and Sweden on the modular synthesizer. Paying close attention to intonation and ornamentation in the source material, these details shine in a new light with the sound of raw electricity amplifying its inherent trance inducing qualities. His 2nd LP on iDeal Recordings ‘Forest of Tines, Egil Kalman plays the Buchla 200’ was released earlier this year. Besides his solo work he’s also active in several groups as a double bass player and synthesist, such as Marthe Lea Band, Miman, Völvur and in duos with Zoe Efstathiou and Fredrik Rasten.

Egil Kalman is presented as part of Elektronmusikstudion 60 years jubilee showcase.

Feronia Wennborg is an artist and musician working across performance, installation, sound and digital media. Her work explores the relational and re-imaginative possibilities embedded in practices of listening and sounding. Working with material recorded in everyday life, she explores digital processing techniques to create intimate, tactile sonic environments. Feronia often works in close collaboration with others, and is part of the duo soft tissue together with Simon Weins.

Feronia’s work has been exhibited and performed at galleries, music venues and festivals including: Cafe OTO (London); Centre for Contemporary Arts (Glasgow); Counterflows

(Glasgow); Konsthall C (Stockholm); Wysing Arts Centre (Cambridge); Heart of Noise (Innsbruck); West (the Hague); & Fylkingen (Stockholm).

Feronia Wennborg is presented as part our algovoice concert programme - exploring the intersection of the voice and algorithmic composition, in the context of contemporary experimental electronic music. algovoice is presented with support from the Swedish Arts Council and in collaboration with Fylkingen.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

DJ and producer HYPERFORCE lives up to his name with energetic DJ sets and a collection of steady driving and bouncy tracks. His productions, released on labels such as Morph and UTE, showcase his ability to balance intensity and emotion.

Apart from his performances and studio work, HYPERFORCE has taken part in numerous collaborative projects, including co-founding the record label BODYCOUNT, running countless parties with his DIY Malmö-collective Astrum, and most recently teaming up with OPTIMISM. His latest ambitious project, the soon to be launched web platform Sublink, aims to equip artists with tools to promote creative output, collaborate on releases and share earnings.

Lars Åkerlund is a musician, performer and composer. Since the 1980s he has worked both solo and in collaboration with other musicians and artists from various disciplines. He is a co-founder of the Lucky People Center. He has worked with such groups as the Rambert Dance Company, the Finnish National Ballet and the Göteborg Opera. He also worked with musicians like Zbigniew Karkowski, Kasper Toeplitz, Dror Feiler, Eryck Abecassis, Julien Ottavi, Lise-Lotte Norelius, Sebastian Öberg, Jean-Louis Huhta and Johan Söderberg. Over the past ten years Åkerlund has primarily focused on composition, live electronics, touring, collaboration and the publication of works on 20 or so different record labels.

Lars Åkerlund is presented as part of Elektronmusikstudion 60 years jubilee showcase.

Marta Forsberg is a composer, sound artist and musician working within the field of installation art and electronic music. Dedicated to creating an immersive environment, her work explores intimacy in music and performance through minimalist sound and light sculptures - a sonic visualisation. In 2012 Marta founded Konstmusiksystrar together with composer Lo Kristenson. A women and trans separatistic organisation working for equality in the Contemporary Music scene in Sweden.

Marta will present new material crafted during her residency at the Studio for Electroacoustic Music at Akademie der Künste in Berlin. Throughout her residency, she delved into the unique East German instruments Subharchord and audiotronic AMS3 & ASL5, alongside the timeless Yamaha DX7 synthesiser. From this exploration emerged a diverse collection of compositions, blending synthesizer melodies with vocals provided by countertenor Rupert Enticknap, performer Ella Olivia Bender, and poet Agnes Schneidewind. Additionally, Marta explored the vocaloid's distinctive voice qualities, whose duet with the human voices creates a sonic landscape that is at once intimate and otherworldly.

Marta Forsberg is presented as part of Elektronmusikstudion 60 years jubilee showcase.

Krakow-based artist Martyna Basta’s diaristic sound shapes a delicate atmosphere that balances lush and haunting.

Classically trained in guitar, the Polish composer escaped academia at the age of 18, replacing her native instrument with a synth. She soon developed a unique way of composing, involving modulated voice, electronics, and field recordings.

This radical transformation was captured on her first album Making Eye Contact with Solitude released on the Slovak label Warm Winters, which introduced her as part of a new wave in the European experimental scene.

After the release of her debut, she reached back for acoustic instruments like guitar and zither, establishing her unique electro-acoustic tone.

Martyna Basta is presented as part our algovoice concert programme - exploring the intersection of the voice and algorithmic composition, in the context of contemporary experimental electronic music. algovoice is presented with support from the Swedish Arts Council and in collaboration with Fylkingen.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Matriark is the carwrecker from Sarpsborg hitting all the notes in your spectrum like a snail in the sand. Never get bored with this feeling cause its just the beginning. A hopeless position between euphoric hope and restless mystique.

Informationstechno from a Sweden of the past, filtered through retro-futuristic incredulity. Motormännen make techno and acid based on samples from politicians, news clips and Christer Glenning from the end of the cold war era. Inhibitions were relaxed and new, foreign influences crept into the body of society and the old information monopolies. Motormännen’s tracks are visually enhanced by video material from the 1970’s and 80’s. Firmly rooted in the underground of the Swedish techno scene, the band has still managed to reach outside the usual sphere with their morose take on culture and society through late 20th century history.

Motormännen released their debut album “Informationstechno” on cassette in 2014 and has since followed up with two critically acclaimed LP’s and a number of EP’s and singles on Lamour Records. They have twice been nominated for best Swedish dance album of the year at Manifestgalan. In 2016 they released a remix album with edits by prominent Swedish techno outfits such as Manic Brothers and Nima Khak. 

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Hailing from a background of a diverse range of musical styles, My Gander developed her interest in electronic music during high school. The early crude techno and trance sounds became an important foundation to her style. Cutting her teeth at venues, clubs and festivals in Stockholm before moving down south, her style as a DJ and producer is characterized by a raw soundscape and fast pace – yet with an inherent swing and vibrancy.

Besides being part of BunkerBauer, My holds the recurrent club event Pater Noster at Den Anden Side together with Matriark.

BunkerBauer & Flat Rat present: Øresund Shitshow 

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

From the spores underneath the Malmö city freaktown emerges a funky fungus best translated into Swenglish as Mögela. With a vast and vivid fantasy world living inside her mind since being a kid, she has always tried to find new ways to express what she sees to everyone else.

Since a few years ago Mögela has been creating musical stories in the form of DJ performances at local parties in the sewers and basements of Malmö, sometimes for many consecutive hours. She is also known to have written some incredibly weird and equally beautiful pieces of music of her own that have had many freaks in tears on the dancefloor.

When childlike wonder, melancholy, arousal and a bit of sleep deprivation all collide, no eye is left dry.

NOS is a techno activist from Malmö, who's been active the last three decades presenting dance-friendly live sets using analog synths, drum machines, brushes, overhead machines and VHS players.

BunkerBauer & Flat Rat present: Øresund Shitshow

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Through a synthesis of playful and deranged sonic landscapes OMNISELF invites you to explore the infinite possibilities of perception. Their performances and compositions are a testament to the universal language of music, leaving an indelible mark on the ever-evolving realm of electronic music.

OMNISELF is the co-founder of Malmö-based labels Morph and Bodycount, working first and foremost with community and DIY-driven gatherings that manage to escape manifested systems and concepts.

The Richmond, Virginia duo Prison Religion consists of friends Parker Black and Warren Jones.

Their sound is a genuine reaction to the world around them: we are already in the apocalypse. Where once Prison Religion’s songs looked out to space, on their most recent album, Hard Industrial Bop, the pair have fallen back to earth, defecting against the laws of a war-torn planet, fighting against an impenetrable world order of known abusers and fear. This is manifested in the caustic wall of sound, heavy beats sounding like public gunshots, mumbled screams like breaking glass, thumping flourishes of techno or weighty drones. Like hard bop challenged established jazz back in the 1950s, their latest record is one that channels the exploratory nature of jazz, constantly subverting and up-ending where you think the duo’s music will take you at any given moment.

We're very exited to have Prison Religion performing at 303 for Norbergfestival 2024.

"They are the inner voices, the spirits that animate, the ghosts crawling behind closed eyes. They have always been there, originate from deep down and come and go with the tides of emotions; They whisper through the electronic waves; doorway for unspoken words quietly waiting to be born. They closely watched the wind amplifying its howl through the crack of a door, the vehemence of the waterfall when it hits the stone, the vociferous statement of a mountain in its avalanche. They learnt and chose to replicate running through the wires of machines. Spirits do dream, and this is a translation of their dreams. From the soothing ones, to the nightmares, to the incomprehensible impressions of a world obeying different sonic laws."

Actress, vegetable grower, music producer, vocalist and DJ, French Ghanaian artist Pauline Bedarida aka PÖ produces music evoking vocal experimentations that contrasts with her fiery and uplifting dj sets; a universe filled with tracks that range from ghostly ambient to post punk club tunes and acapella polyphonies. Her debut album Cociage was released in 2023 under the label Hakuna Kulala. The album is an expression of the darker and more introspective side of her and a statement of independence and multiplicity that evokes her own complex identity. 

BunkerBauer & Flat Rat present: Øresund Shitshow

Divided by Øresund we had been looking across the water, thinking that there had to be a better world on the other side. Turned out there was and we have been united through the graceful sound of electricity since then, diving deep together into naive complexity and dark bright light. As a celebration of the friendships and the music that has followed we present Øresund Shitshow.

Over the last decade, rut fessler has immersed himself in a wide array of non-commercial projects in the southern regions of Scandinavia, including Astrum, OPTIMISM, BODYCOUNT, Morph, and CPE.

The true heir of Färs Härad.

The Catanic Congregation of Lucifox and Mousifer is where the handmade instruments created and played by Johan Tingne (Bergtagna Instruments) joins guitarist Johan Frick (Night Viper, Lethal Steel) to create an immersive soundscape. It is an audiovisual experience, an involuntary sound healing session to heal you from the light. An art/music/performance project by and with Johan Tingne and Johan Frick. Masks by visual artist Jasmin Stolle.

Trois-Quarts Taxi System is a Parisian producer and DJ, co-founder of the Hard Love Motor Love label and the De La ..... je l'espère collective.

In his productions, sets and live performances, his music moves between bass music, jungle and deep techno, navigating between dark sounds with complex rhythms and hypnotic melodies accompanied by organic textures.

VMO a.k.a. Violent Magic Orchestra is a Japanese cult band and art music project that come from the planet HELVETECH in 2099.

Its members are named after iconic Norwegian black metal bands rendered in katakana script: Darkthrone (ダークスローン), Mayhem (メイヘム), Emperor (エンペラー) and Xasthur (ザスタ ー). Dressed in corpse paint and hell-raising looks, onstage they take the form of shinigami or death gods for a performance in which techno, black metal and industrial unite to create a ritual from the future, involving an orgy of strobe lights, smoke, and visuals.

Their latest album DEATH RAVE on Gabber Eleganza's inprint NEVER SLEEP points to an untraveled journey. It is a sci-fi fusion of black metal, GABBER, cyberpunk, performance art and techno, with collaborations ranging from Attila Csihar of Sunn O)))) to Ican Harem of Gabber Modus Operandi. Get ready for the DEATH RAVE of the year in Kraftcentralen this summer!

Ecstacy by song, ecstacy by repetition - perpetual peaks, uplifted and otherworldly. In the place where eternity stands right-angled to time XTC sings the XIV century in everlasting euphoria.

The first experiments in polyphonic harmony are heard through the prism of electronic music. Samples of old compositions are looped and resung, the limits of the acoustic world are voided and notes resound forever. Linear structure fades and new shapes appear.

XTC in the XIV started as a sample based project using time stretching, pitch shifting and club music narrative conventions on early vocal polyphony: it saw its first release on Cease2Exist in 2022.

Today XTC in the XIV is a vocal ensemble recreating sampled loops through a combination of song and live electronics. The group has performed at Nonagon festival, in Hemse curated by Gotlands Konstmuseum, in Visby Cathedral and at Ställbergs Gruva as part of a residency with Örebro Län. Material has also been presented at Assemblage saas*fee pavillon in Frankfurt. The group is currently recording an album for Supertraditional records and will perform and record for A Sudden Point of Balance.

The group consists of Walter Berge (b. 1992), composer and sound technician with background in mathematics and club music; Em Silén (b. 1994) improvisational musician and artist also performing under the name rip ME with a BA in electroacoustic composition from the Royal College of Music in Stockholm; Siri Anna Flensburg (b. 1993), vocalist with a background in classical choral music with a BA in folk music from the Royal College of Music in Stockholm; Maja Kamne (b. 1997), vocalist within a multitude of genres with a further specialization in herding calls. She has studied folk music at the Royal College of Music in Stockholm. Elin Oskarsson (b. 1998) vocalist from the classical tradition with a BA in Chamber Music Performance from Örebro University and active in several styles. Hanna Andersson (b. 1989) has also studied folk music at the Royal College of Music in Stockholm and also works in pop music and opera and masters a wide range of vocal techniques.

Berlin-based Zoë Mc Pherson is a French-Irish multimedia artist whose practice absorbs elements of performance, sound design, installation art and DJing.

Since the release of their immersive 2018 debut album "String Figures" and its acclaimed 2020 follow-up "States of Fugue", Mc Pherson has performed across the world, appearing at Berlin's CTM Festival, Berghain, MUTEK Mexico, among numerous other festivals and venues.

Their third album and AV-show Pitch Blender blends a tight set of cybernetic dancefloor experiments that flicker between the rave and the art space. The album was followed by a remix EP that boast an exciting line up consisting of Jana Rush, Scratcha DVA, MC Yallah, Kasimyn and Jessica Ekomane.

A seasoned collaborator, Mc Pherson recently worked with renowned French sound artist Jessica Ekomane. The two performed a special project at Berghain's Halle broadcast by ARTE TV.

On the other end of their creative spectrum, Carbon 96 finds Mc Pherson teaming up with US techno producer and DJ Ciarra Black, releasing their debut “Carbonated” on Peder Mannerfelt Produktion earlier this year. Their most recent project, 30K, was conceptualized in Uganda and mixes Mc Pherson’s sci-fi sonics with with singeli pioneer Jay Mitta's breakneck beats and Malian veteran DJ Diaki's unmistakable soundsystem energy.